Essays

Essays and Interviews sampled from the printed edition of Arc Poetry Magazine, which hits magazine stands in June and December each year, and the Arc Annual which appears in August.


Excerpt from essay "On ending a poem"

See how many ends this stick has …
—Montaigne

Essay in excerpt

To come to the end. To stop. Not necessarily the same thing, as far as poems are concerned. In fact, a frequent criticism of a poem is that its stopping place creates a “weak”ending or one that “doesn’t work.” I stumbled into this muddy field recently in asking poet-editors to read and comment on a book I was working on. Critiques of endings dotted the pages, rarely the same view, occasionally even contradicting each other.

How to go about “fixing” a poem when the ending doesn’t “work?” Whose advice to follow, and how does that advice sit with the impulse that wants to express something true and real?

The reader-critic seems to say, I want the satisfaction of knowing the dimensions of this piece, that it isn’t partial, not a draft, and that the writer hasn’t walked away before sufficiently attending to the birth. Conversely, the reader may find that the poem ends too abruptly, or is too neatly tied up, a package with no openings to enter into.

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A brief history of the Canadian ghazal

At a certain point in John Thompson’s Stilt Jack, the author looks up and away from trout, stones, water, bait, and hooks, and re-focuses his intuitive gaze:

Sometimes I think the stars scrape at my door, wanting in;
I’m watching the hockey game.

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Essays

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